Hot Revenge Box Set 4

Five minutes later, the light clicks off. For one mind-numbing moment, I think she’s left me in the dark, but as my eyes adjust, the
light is merely very dim: blinking green from the activation light of the camera.
I’d thought my stomach was empty but, as it turns out, I’ve not done yet. As Juliana’s footsteps dwindle to silence, my gut
heaves. I have just enough time to react by throwing myself to the edge of the water channel before my stomach relieves itself of
the last of its burden. The piquancy and fragrance of Portuguese street food were good on the way down, but chilli and spices
are less appealing on the way back up.
Retching and puking, I let my body do its worst. Part of me knows this is the monkey brain acting: fear and panic running their
course. Another part, the human brain, sits in the passenger seat, waiting calmly to take the wheel again.
And now, with the immediate freak-out passing albeit with muscles still twitching and dancing the adrenaline fandango, I sit back
against the wall, breathing heavily, swiping chill sweat from my face.
Mitch...
Time to weigh up my position...
My resources...
My stomach evacuated, I want nothing more than to rinse my mouth, drink something bland: milk or weak tea perhaps...
Not an option...
Water?
I eye the turgid flow in the channel beside me, now even darker in the restricted lighting. Clots of garbage float, waterlogged, on
the oily surface, bobbing beside the bloated remains of a rat. Grey foam speckles the base of one of the inlets.
Drinking from there is not to be considered.
What then?
From one of the narrow inlets to the main channel, somewhat above me, a thin stream dribbles. I stand, reaching for the flow,
then as the ankle cuff nips, pick up a loop of chain to relieve some of the weight.

This time, it’s a stretch, but I get there, swiping through the trickle with a fingertip. Cautiously, I sniff, then lick. It tastes a little
brackish, but not putrid; rainwater run-off probably. A mug or a glass would be nice, but I doubt Juliana is planning to supply such
home comforts. A cupped palm collects a bare mouthful, enough to rinse my mouth with. Another palmful, and fresh water eases
some of the tightness in my throat.
Mitch...
Got to warn her...
Get word to Hickman...
Or James...
Gotta get the fuck out of here...
First order of the day... That steel cuff...
The key?
It hangs on its nail, at about eye-level, the brass a sullen yellow-green reflection in the bleak lighting.
Juliana surely hung it there deliberately, leaving it well beyond my reach.
Still, gotta try...
I’m by no means short. I top six feet and I’m long-limbed with it, but even at full stretch, letting the metal gnaw into my ankle, I’m
at least two yards short. No amount of reaching and straining will get me there.
And in the process, I discover the purpose of Juliana’s painted line. It marks the end of my range. With my arms and legs at full
extent, straining against the cuff, letting it bite into my ankle, that white line, already dirty with muck, divides the world into two
part: the one I can reach, and the one I can’t.
Okayyy...
Next target...
The padlock:

Something to pick the lock with...
Pin...
Wire...
...
...
A quick self-survey of my resources: the clothes I’m wearing; shirt, pants...
Belt...
The cheese-wire...
Or the tongue of the buckle might make an acceptable lock-pick.
I reach for the buckle, and it’s not there. My belt has gone.
Fuck...
And now that I’m looking, I realise, so have my holster and knife sheaths. Anything with more substance than the thin linen cloth
of my shirt has been stripped.
Lucky she didn’t leave me naked...
... I suppose...
I cast around at my surroundings.
Bare concrete, fetid water and slime.
The cuff is welded to a loop of chain. The chain in turn welded to a post on the wall embedded into fresh cement. The cement is
fresh and hard. My fingernails make no impression, simply ripping at the top and leaving me bleeding at the quick.
Above me, the camera eye: aimed directly at me.
And doubtless, she’s on the other side of the lens, watching me on a laptop or via a phone app.

This hasn’t been set up in minutes or hours: even days. Juliana’s had this planned for some time.
Just as she did when she had Jenny kidnapped... even though at the time, I believed Baxter and Finchby were behind it.
Perhaps they even thought they were...
At the thought of Baxter, my stomach churns.
What she did to him...
Again, she wasn't trying to kill. She left him a physical ruin; in a condition where he’d live, but he’d never be the same man again.
And she left him for me to find.
At the time, I rather appreciated the justice of it.
But, that was then.
And now, she’s brought me here... Wherever here is...
If all Juliana wanted was to take her time murdering me, she could have chosen any abandoned building a little out of the way.
But she’s not done that. This place is... what?
She drugged me twice to bring me here. So, several hours travel at least.
Out of the city? Away from São Paulo...
Where the fuck am I?
It’s a water system, a sewerage or drainage network. No-one builds them in the middle of nowhere. Drains imply people.
How far underground am I?
I peer up the dark water inlets, looking for daylight.
There’s nothing. Every hole gapes unrelieved black.
And now, sitting in my gaunt cell, I listen.
Water trickles...

Echoing from somewhere is a chittering sound...
My own breathing...
My heartbeat...
The pulse inside my ears...
... All minute sounds, magnified by the otherwise utter silence and my spiralling imagination.
Standing, I listen at my sweet-water inlet. It’s a little above my head-height, but tip-toeing, I cock an ear to the narrow channel.
Dripping water is the only sound.
No voices. No traffic. No rumble of underground trains.
No people.
If I were trapped in the city, yelling or screaming might draw someone. But if there’s no-one. If Juliana is truly the only person
who knows where I am.
Buried alive.
*****